Tota Roy Chowdhury

Senior detective Kanishka and his team investigate a series of chilling murders in Kolkata that resemble an old case haunting his past. With each new crime more gruesome than the last, the team must uncover the killers motive while grappling with their struggles. Will they solve the mystery before the killers twisted plan unfolds? Chalchitro holds the answers.

Tekka is the story of Iqlakh, a janitor who has lost his job and is out to get it back by holding a girl hostage in a building. ACP Maya comes in, a woman who is trying to conceive. Add to the mix a young journalist pair, Brishti and Tintin, and we have a nail-biting epic in an office building spanning 48 hrs, full of twists and turns.

Rocky Aur Rani Kii Prem Kahaani magnifies the power of love, embraces the complexities of relationships, and celebrates the beauty of both perfect and imperfect families.

Set during the emergency period between 1975 - 1977, Indu Sarkar is based on the 21-month long period, when the then Prime Minister of India, Indira Gandhi had unilaterally declared a state of emergency across the country. The film stars Anupam Kher, Neil Nitin Mukesh and Kirti Kulhari in the lead roles and is directed by Madhur Bhandarkar.

It`s been 8 years since John Biswas lost his granddaughter, Angela, in a tragic kidnapping incident that scarred him and his wife Nancy forever. But eight years later, while the world has moved, John hasn`t given up his relentless quest for justice. He continues to visit the police station where he is shunned and ignored every day. The only person whose help he seeks is Martin Das, an ex-cop turned priest who has one thing in common with John the death of Angela had a life altering impact on both men. But then, 1 day, 8 years after that tragic incident, there is another kidnapping and everything about it echoes of similarity with the kidnapping of Angela. Father Martin is once again dragged into the investigation by cop Sarita Sarkar. While the priest and the cop tackle the new kidnapping, John doggedly pieces together the identity of Angela`s kidnapper from little bits of information that he collects through his own investigations. TE3N is a gripping thriller that brings together these two parallel investigations into the 2 kidnappings and builds up into an explosive, emotionally-charged film.

Dr. Somshankar Roy, a social scientist, engages Swagato and Anwesha to create a mock crisis on the streets. The aim is to observe reactions of people to different forms of crisis happening around them, and to analyse and derive conclusions about human behaviour from them. But all theories and deductions go astray when they come face to face with a real crisis in their own lives and cannot decipher whether the crisis is mock or real.

A big company tries to take over a village`s fertile agricultural land for its own projects. Jeevanantham, a Hydrology Grad, vows to fight them and reclaim what`s their own.

The film is a story of a common man who becomes a villain, a bad man owing to the treatment of the system. A simple man living a happy life with his family is troubled and tortured by the lawmakers. He is forcefully imprisoned. His helplessnesses breaks him and turns him into an angry human.

`Aborto` talks about the relentless pursuit of prominence in one`s career, and the resulting alienation from loved ones in terms of sensitivity, feeling and emotion. The film portrays a vortex of emotions, drama and relationships between Shyamal, Charu, Hari, Duli and Runu, characters which were influenced by protagonists in various Satyajit Ray`s Films.

Directed by the award winning Bengali playwright-actor-director-producer Bratya Basu, Tara features Paoli Dam, Prosenjit Chatterjee and Tota Roychowdhury in lead roles.

The story revolves around Kaushik (Prasenjit Chatterjee) and Kaberi (Konkona Sen Sharma), a happy couple until a car accident takes away Mita, Kaushiks mistress and leaves Kaushik heavily injured. Mita, a mother of a little boy and living with her husband, was Kaushiks colleague. The revelation leaves Kaberi shattered and she retorts. Kaushik successfully moves on with life leaving Mita behind and tries his best to repair the severely wounded relation with his wife. There is another couple in the film- Brinda (Pallavi Chatterjee) and Bobby (Parambrata Chatterjee), engaged in another extramarital relation. While Bobby is a bachelor, Brinda, quite older than Bobby, is unhappily married. They and Kaberi do group theatre together. Brinda-Bobby comes to a crossroad when Brinda becomes pregnant and Bobby is not sure whether the child is his or Brindas husbands. However he does not turn back and stands by Brinda in sorting out her issues. Kaberi often threatens divorce but ultimately is overpowered by the wife in her and cannot desist fulfilling her duties towards her husband at the time of crisis.On the other hand, Kaushik too is caught in his own predicament. The physical and mental trauma caused by the accident are portrayed with great skill and subtlety by Prosenjit. He has to not only come to terms with the loss of a loved one but is faced with the daunting task of winning back his wife's trust.

The story is about the trials and tribulations faced by Shashanka, a retired bank manager and widower, and his daughter Megha, while trying to maintain their professional lives and relationships.

Binodini is a young widow who lives with a woman and her son, Mahendra, who had once refused to marry her. Their lives are thrown into disarray when there is deceit and adultery between Binodini, Mahendra, his wife and his friend. The book, Binodini, is the story of a young woman, who is left to her own devices when her sickly husband dies soon after they are married. She returns to her village and lives there for a couple of months until she sees one of her relations passing by there on her way to somewhere else. Binodini hails the woman and the two soon agree that it would be best if Binodini came to live with the woman and her son, Mahendra (who, by the way, was one of the first to see Binodini's photo when she was unwed and up for grabs yet refused her on account of his being "unready for marriage"). Now, when the two arrive the woman's son and his new bride are in the throes of passion, constantly sneaking off to be alone together; this infatuation does not last long, however, when Mahendra begins to see that his wife's friend, Binodini, is more his type. The story details the lives of these three and Mahendra's best friend as they deal with certain issues as distrust, adultery, lies, and numerous fallings-out between them. The movie correctly depicts what Tagore so skillfully wrote and is a sad, stirring tale of the deceit and sorrow that come from being unsatisfied and unhappy. —gavin (gunmasterM@hotmail.com) Mahendra is a doctor circa British rule in India, who lives a comfortable life in a city in Bengal (India). He is friendly with a young man, a bachelor named Behari. Both Mahendra and Behari are of marriage age, and do get a lot of proposals. One day they receive a proposal of a young woman named Binodini along with a photograph. Neither of them shows any interest nor even take a look at the photograph. They get news that Binodini has got married. Shortly thereafter, they receive another proposal without a photograph, for a young woman named Ashalata. Behari is asked to check her out for Mahendra - he ends up consenting to marry her, but subsequently let's Mahendra be the groom. A few months later Ashalata gets pregnant, and the family gets the news that Binodini has been widowed only after a year's marriage. Then things get complicated when Ashalata befriends Binodini - and both Mahendra and Behari get attracted to her - so much so that Mahendra is considering separating from his bride - and Behari separating from his bachelorhood - but both in quandary over the social taboo of marrying a widow - and of the present agitation aimed against the British to quit India. —rAjOo (gunwanti@hotmail.com)

Binodini Roy, a renowned industrialist doesn't like her son-in-law who is an uncultured mechanic. Mrs. Binodini Roy, a renowned industrialist, wants to marry off her elder daughter Rupa to her business partner's son. Rupa is against the marriage and hence she escapes from her house with the help of her father. On the way to one of her uncle's house, a cabbie tries to rob her belongings. But she is saved by a handsome motor-mechanic named Somu. Somu takes her to her uncle's house where he turns out to be one of his acquaintances. Gradually, Rupa and Somu come close to each other. One day they have a heated argument; but it's precisely after this that they realize their love for each other. They make up and even get married secretly without informing Rupa's mother. Soon, on her father's request, Rupa returns home. Her mother refuses to acknowledge her marriage; instead she decides to marry her off to her former match. On the day of her marriage, just when Rupa had given up all hope; Somu makes a dramatic entry to take charge of his 'sasurbari' (in-laws' house). But is it only his love for Rupa that has brought him here; or does Somu have a secret of his own? —Swarup Basak