Vikramaditya Motwane

Set in Amritsar, Manmarziyaan follows the story of Rumi, a spirited young woman who finds herself caught up in a complicated love triangle involving her impulsive yet irresponsible boyfriend and her self-possessed fiance.

In the city of Bareilly (UP), aspiring boxer Shravan (Vineeth) slogs day and night to achieve his dream of being a recognised boxer. Things go awry when he falls in love with a high caste, mute girl who happens to be the niece of his arch nemesis, the head of the state boxing federation, Bhagwandas Mishra. Mukkabaaz is a beautiful love story of a boxer and deals with social and political elements.

A big fat ``Shaandaar`` Indian wedding, which is actually a business merger between two of the biggest business families of India, is happening at an exotic castle in Europe. Mrs. Kamla Arora, the grandmother of the Arora family, the sole owner of the billion-dollar business and the property, has planned their wedding. Kamla Arora is a shrew, and treats everyone like her servants including her three sons, Bipin, Vipul and Vinay. Mr.Fandwani, the groom`s father, is a loud Sindhi businessman who is the counter to Kamla Arora: The Fandwanis dress in gold, accessorize in gold and if it was possible, they`d drink and eat gold. Set against the backdrop of the Shaandaar wedding, is a love triangle between (our protagonists) Aliya, Jagjinder Joginder and Bipin (Aliya`s father). Bipin believes that there`s no guy who will be good enough for his daughter, while Aliya is a dreamer, but her dreams are whacked out and Jagjinder Joginder is a doer, he can make anything happen! And for obvious reasons, Bipin hates Jagjinder Joginder. The journey of Aliya, Jagjinder Joginder and Bipin in the chaotic and lavish wedding is the story of Shaandaar. It`s a fairy tale love story that everyone has always dreamt of!

NH10 is a thriller directed by Navdeep Singh, who previously directed the highly acclaimed Manorama Six Feet Under. A couple`s road trip goes awry but the woman, stacked against all odds, manages to not just stick it out but indeed give it back. Meera and Arjun are professionals living in Gurgaon. When Meera walks out of a party late one night, she gets attacked by a group of unknown men. Although she escapes through the skin of her teeth, it leaves her traumatised. Arjun, partly blaming himself for not being there that night, tries to make up for it by treating her to a luxurious desert holiday. As they stop on a Highway dhaba for dinner, they witness a young girl being picked up by a bunch of hoodlums. Arjun chooses to step in, unmindful of the danger ahead.

Rani is devastated when her fiance leaves her days before the wedding. Undeterred, she goes on her honeymoon alone and is pulled out of her comfort zone, rediscovering herself.

About the movie The film with a tagline Love goes cucking frazy is a complete family entertainer which depicts the story of two `senti-mental` families and their children. If Nikhil(Siddharth) is a senti boy, Meeta (Parineeta) is a mental girl. The film is a coming of the age story of these two characters in a warm environment.

An archaeologist falls in love with an aristocrat's daughter but conceals a dark secret from her that could drive them apart.

Friday night is almost like a shortened New year's night. One can expect every kind of surprises on that night. Friday night has its special magic. What if a gambling millionaire becomes a waiter for one night, an office loser will be the star of the brightest party, and two "sworn" friends will have to look for a kangaroo at night in a forest near Moscow? Everyone has their own Friday. How does it end for everyone, only Saturday morning knows. —Peter-Patrick76 (peter-patrick@mail.com)

A documentary on Peter Dunning, the proprietor of Mile Hill Farm in Vermont who has isolated himself away from his family and often suggests to the filmmakers to make his own suicide a narrative device. Peter Dunning is the proud proprietor of Mile Hill Farm, which sits on 187 acres in Vermont. The land's 38 harvests have seen the arrivals and departures of three wives and four children, leaving Peter with only animals and memories. The arrival of a film crew causes him to confront his history and his legacy, passing along hard-won agricultural wisdom even as he doubts the meaning of the work he is fated to perform until death. Haunted by alcoholism and regret, Peter veers between elation and despair, often suggesting to the filmmakers his own suicide as a narrative device. He is a tragedian on a stage it has taken him most of his life to build, and which now threatens to collapse from under him. At once a postcard from paradise and a cautionary tale for our times, Peter and The Farm sifts through the potential energy of a human life, that which is used and that which is squandered. —Official site