Biswajit Chakraborty

This is yet another adventure of Kakababu and Santu, where they unravel the mystery of the legendary beast, the Yeti. Gorokhshep plateau is the new destination where the uncle-nephew duo find themselves facing harsh circumstances in the process of unwinding the actual truth behind the various incidents revolving around the attacks of the giant beast. The quest introduces them to new characters such as Mingma and Norbu, local sherpas, who help them in the expedition. Their adventure leads them to unravel a secret intelligencia organisation which carries on various illegal work with the mask of the Yeti myth.

Shob Bhooturey is a Bengali ghost film where the protagonist Aniket (Abir Chatterjee) is a modern guy who is hell-bent on closing down the ghost magazine, started by his father, the Late Nabinmadhab Sen. The editor of the magazine "Shob Bhooturey" and Nabinmadhab`s friend Kripadhar Babu (Supriyo Dutta) is opposed to Aniket`s decision. At this time a strange girl, Nandini (Sohini Sarkar), comes to their office and claims that Nabinmadhab had promised her employment because she can apparently see ghosts. Parallel to this, a school in the village of Kushumpur is shut down due to the occurrence of ghostly events culminating in the mysterious death of a child named Mini (Ida Dasgupta). The headmaster of the school, Poritosh Mukherjee (Sumanto Mukherjee) comes to this magazine for help. Aniket, Nandini and Kripadhar Babu set out on a mission to re-open the school and unravel the ghostly mystery.

Haripada Bandwala is a comedy involving one failed singer, a successful actress and a dreaded Don. A struggling singer named Haripada Bandwala (Ankush Hazra) performs in marriages and parties for his living. With a head full of dreams, he aims high and desires to achieve success someday. He is also in love with a successful actress called Sweety (Nusrat Jahan). By a twist of fate, while performing at a wedding he ends up meeting Sweety along with the Don Nandlal (Kharaj Mukherjee). Things take a complete crazy turn as he hires Haripada to pretend to be Sweety`s boyfriend! A hilarious ride of the Bandwala arrives this Christmas!

The film revolves around the evolving relationship of a married couple.

Kelor Kirti is a fun filled ride with a bunch of young couples, that has a comical take on today`s relationships! This comedy of errors involves three fun loving couples round off in a bundle of chaos and misunderstandings, when an enchanting woman enters their lives, leading them to their share of confusions! They are all caught up in misunderstandings and humorous situations, which end up in chaos.

This film revolves around the era of 1947 and explores the consequences of partition of India. Delving into the grim history of the partition, Mukherjee`s movie Rajkahini is weaved around a border between the two nations that runs through a brothel housing eleven women.

Nirbaak comprises of four love stories connected through the theme of silence. The stories are intertwined and connected through Sushmita Sen`s character.

CI Shankar, who is also known as `Encounter Shankar`, gets posted in a small town called Bukkapattanam. This town is a troubled area because don Damodar rules the roost, threatening people to cooperate in his illegal business. When Shankar arrives, he starts halting Damodar`s illegal business and in the process, finds out that Damodar had attacked his family and begins to plan his revenge. In the meantime, Shankar falls in love with Saroja, a sweet-shop owner. How Shankar finally puts an end to Damodar and his gang with the help of Delhi Suri forms the crux of the story.

An epic adventure inspired from two fascinating tales by Mr. Samaresh Basu- `Rai Raja Udhhar` & `Mohish Mordini Udhhar`. It has been shot in the scenic locales of rural Bengal where a bag of mixed events take place right from the study of a historian about the Maharaja and the Zamindars by Joy who is lovingly called Magic Dada, to the eccentric preparations of the Mohish Mardini Pujas whose idol gets lost. Rai Raja, the wealthiest noble man in the whole locality is said to have lost his sanity. Amongst all this chaos comes along Gogol, an 11 year old boy with a penchant for solving mysteries.

A social satire that questions prevalent gender relations. However, the script does not stop at questioning patriarchy only it also raises sharp questions about matriarchy as an alternative. This double angle allows the script to challenge the imbalance in power distribution in personal, familial and social relationships the very basis of gender injustice per se. The film operates with a comic approach even to depict the most unpalatable forms of injustice meted out on the basis of gender imbalances. Cutting across situations in the world with deep concern in the Heavens about the prevalent conditions on earth, the script refers everything from Bengali intellectualism to wrong notions of the panacea for all ills lying in power changing hands in the form of patriarchy being replaced by matriarchy. It is only towards the end that the script subtly veers into a more serious mode that stresses the need for mutual understanding among couples and highlights the need for individual women to take charge of their own lives as a step towards a greater social change. The narrative is never linear. Represented in a script written by, an ambitious but failed filmmaker, Aniruddha, who is also depicted to be a rather uncaring husband and father. He is too wrapped up in himself to care for what his wife Swagata is going through, or his childs justified expectations from him. In his script an oscillation between the World and the Heavens takes place. Human beings and gods and goddesses from the Hindu pantheon appear together to depict an imagined reality that would get people to double with laughter only to be soberly reminded in the end that much of the fantasy is rather real in our surroundings. The script within the film zigzags between gender injustice in this World and the concern in the Heavens about that. Real life issues of dowry demands, son preference, chaste and devoted wives with drinking, torturing husbands are captured through Aniruddhas script. The Dutta family with one failed lawyer as the master of the house, his wife, a married son with two daughters and the younger son in a relationship with a woman his father does not approve of provides the locale for these. The concern at the Heavens on the increasing rate of violence against women, very much a reality in the world we live in, allows the satire to reach incredible heights of absurd comicality by upturning the entire scenario where the drunkard, torturing husbands take on the roles of their enduring wives; men get sexually harassed and women rivals engage in all-to-known action sequences over a man they both fancy. The heavens are modeled on a corporate media house, subtly reflecting the role media can play in challenging issues that matter. Aniruddha is made to question his own position and perspective through his own script and more importantly by his wife Swagata as she takes her first decisive steps for herself underlining the need for individual change to precede social change. At the end, the film goes back to Aniruddhas script and through a discourse in the Heaven, takes the argument another step forward, beyond the `gender-equality` platform and tries to explain the notion of social equilibrium in general.

The film is about a happy go lucky guy, who likes to live life on his own terms.

The inhabitants of an abandoned house, a group of spirits, try everything to save their home from being broken down after a rich businessman plans on constructing a swanky shopping mall in its place.

A small boy named Burun t was held impossible to the common eye and surprised the whole town. But did he achieve those miraculous feats all by himself? Yes, he did, only with a wee bit of help from Nidhiram, a friendly ghost from the deep jungle of Gosainbagan. When Burun got only thirteen marks for maths in his final exam he was completely heart broken. Life became very difficult for him after that because his parents became awfully strict. So one day he ran away to the Gosainbagan jungle. There he met Nidhiram the Ghost who soon became Nidhida for Burun. When Burun returned home, their friendship continued to grow and life became very entertaining and soon the impossible became a reality.

Foreign-returned corporate honcho Megh Chatterjee (Jeet) eyes Mita Roy (Priyanka) at a traffic jam and it`s love at first sight. He follows her to her place and hatches a wacky plan to be close to her. The ploy? He dons the guise of an Oriya domestic help, named Priyo, and picks up the nuances and tricks of the trade from his own help back home. Memsaheb, as he chooses to call his employer, is bowled over by his services. But there is a catch. Jeet is also her boss back at office and has to be careful to maintain twin standards. He becomes pally with the son of Priyanka`s sister son, Tinga, who is privy to their little secret.

Satru revolves around a cop named Jeet, who takes on the local goon and the struggles he faces to get justice.

Indu comes across a daring cop ACP Bose when she is on a field trip with her friends. She gets friendly with his daughter Pinky who tells her that she would get her introduced to her uncle Surya and they would make a good pair. Surya happens to study in Indu`s college and soon after that they accidentally come to know each other and get close. Meanwhile, ACP Bose investigates the case of a dreaded criminal named Section Shankar who is involved in an illegal land deal worth crores of money. Surya somehow gets involved in the case and succeeds in killing Section Shankar under the supervision of the new D.I.G who supports him wholeheartedly.

November 2012, my brother passed away from a six-month fight with cancer and all I can think of is the past. With grief grabbing at every thought all I could do is record my thoughts, in narration, a freeze-frame of my current soul and psyche. Moving from my parents to a lack of religious belief and how it feels to be alone, The Long Night became a closer look than I'm comfortable with. Looking inward isn't about always finding positive but it can be about acknowledging and finding a place for the shadow. At a length of an hour and fifteen minutes The Long Night became my first feature film. To better appreciate The Long Night the viewers will have to better understand themselves.

Shibhu, a boy who had always dreamed of becoming an actor, has to go to Kolkata and work as a project machine operator. There, he comes across Pallabi, who he also saves from some goons, and falls in love with her. However, when he comes to know that she is to be married to the Home Minister`s son, Bobby - who has raped Pallabi`s friend and gotten her father arrested under false charges - he takes her to Bobby himself, becoming his right hand man. But, by no means is he giving up his love. How does he teaches Bobby a lesson, and wins back his love?

The story depicts a rich North Kolkata culture and the root of Para cricket embedded into it with a high level zeal. Penned by Padmanabha Dasgpta the film is about a passionate cricket team of North Kolkata...A typically south Kolkata Dude who shifts to Dorjipara in North Kolkata..the stark difference in culture that creates hell in his life and how he falls in love with the landlords niece. The simple story of youth, laughter & romance takes a dramatic turn where a game of cricket alone can decide the winner, between the politics of real estate takeovers and the passion for Para that is still alive in the middleclass Bengali.

The story revolves around Rehmat Ali (Mithun Chakraborty). The man lives to eradicate evil and protect the rest. He falls in love with bar dancer Sapna (Rituparna). She is soon killed in a bomb blast by his rivals. Shattered Ali now dedicates his life to a family of four, (Roopa Ganguly is the lady of the house here) to save them from a gangster (Rajatava).

Rabi (Soham) is a carefree young guy who bunks classes, hangs out with friends all the time, flunks his exams and flirts with girls. He has no focus in life and tends to be wayward. Things change when a pretty young girl, Ria (Sarkar) moves into his neighbourhood. For Rabi, it is love at first sight. But she is educated, has class and belongs to a background distanced from Rabi`s present status. She reminds him of this difference but he is hell bent on getting her to love him. Ria discovers that despite his untoward manner and lack of education, there is a positive side to his personality. But circumstances take a different turn, forcing Ria to take a bold but life-changing decision.

The story revolves around the lives of Indians living abroad who often tends to adapt to foreign cultures as their own while consciously or unconsciously forgetting the rich traditions back home. Anna (Subhashree), an NRI brought up in London is brought to India by her father on the occasion of Durga Puja, with plans of getting her married to Dev. Anna is already in love with a half Brit man. Anna delays the marriage and hatches a plan to bring Dev to London and break up with him there. What happens after Dev comes to London forms the crux of the film.

A man struggles with his memories of his powerful father.