Bryce Dallas Howard

Argylle, a super-spy, is drawn into a treasure hunt that takes him around the world. The secret agent's troubled past could jeopardise the mission.

In a world where dinosaurs and humans share an uneasy coexistence, Owen Grady must put together a crew of daredevils to rescue a baby raptor and his adoptive daughter, while escaping the clutches of a sadistic billionaire.

A Dog`s Way Home chronicles the incredible adventure of Bella, a loyal dog who sets out on a 400-mile journey in search of her beloved human after she is separated from him. Based on the beloved bestselling novel of the same name by William Bruce Cameron, the film features Bryce Dallas Howard (in a voice role) along with Ashley Judd and Jonah Hauer-King.

Director Bryce Dallas Howard teams up with her father, Ron Howard, to explore contemporary fatherhood through anecdotes and wisdom from famous funnymen such as Will Smith, Jimmy Fallon, Neil Patrick Harris, and more. Dads is a joyful exploration of contemporary fatherhood and a call to action for dads everywhere to take paternity leave. The film draws on the testimonies of famous funnymen such as Judd Apatow, Will Smith, Jimmy Fallon, Neil Patrick Harris, Kenan Thompson, Jimmy Kimmel, and Ken Jeong. Their reflections are combined with portraits of non-celebrity dads from different parts of the world - Brazil, Japan, the United States - who are creating new models of patriarchy. It's funny, heartwarming, and also revealing. (Apparently even professional comedians resort to dad jokes.) Among these voices, filmmaker Bryce Dallas Howard interweaves that of her own father, Ron Howard, who started his acting career as Opie, son of classic television father Andy Griffith. Interviewed by his daughter, Ron speaks movingly of his goal to meet the standard set by his real-life father, Rance. If the old-fashioned father was stern and stoic, the contemporary one is more vulnerable and self-deprecating. Conan O'Brien sums up parenthood as "this incredible realization that you're not the most important person in the world." Patton Oswalt, who became a single parent after his wife's death, reflects on how quickly kids grow up: "You get the tiniest window and then it's gone just like that." Hasan Minhaj pays tribute to his immigrant father, whose short-term sacrifice was for his family's long-term gain. Fathers can be close, distant, absent, or anything in between. Whatever your experience, this film warmly encourages conversations about how to be a better parent. —Toronto International Film Festival

Owen Grady and Claire Dearing return to Jurassic World to rescue dinosaurs from a live volcano. However, they encounter a terrifying new breed of gigantic dinosaurs.

Isla Nublar is a successful dinosaur theme park, but when geneticists create a genetically modified hybrid dinosaur to boost visitor attendance, it soon runs wild on the island.

Two outsiders, both shaped by the circumstances that have brought them together, forge a deep and lasting love. Directed by Gus Van Sant, one of the most astute observers of people living life on the edge, comes a flick on friendship and young love as engaging and true as it is provocative and stirring. The screenplay is by Jason Lew.

A corrupt cops gets a shock of his life and has no other way but to change.

John Connor (Bale) is now a grown man and leads human resistance in a battle against the Skynet robots. But when Marcus Wright (Worthington) appears on the scene, John`s belief of the future is somewhat shattered. But they soon join forces and embark on a journey that takes them inot the very core of Skynet`s operations, where they discover a truth that holds the key to mankind`s possible annihilation.

In the final installment of the series, Peter Parker unwittingly bonds with an extraterrestrial symbiote, bringing out his dark side as he battles more enemies than ever before.

Maintenance man Cleveland Heep (Paul Giamatti) tries to keep up with the needs of his many tenants. He comes to realize someone is swimming in the pool after 7 p.m., which is not allowed. The pool cleaner also brings to his attention that there seem to be globs of some sort of hair in the pools filter that have accumulated in just one day. One night, when he is very tired, he hears splashing in the pool and thinks that at last he will catch the mystery swimmer. But when he goes to the pool, there is no one there, not even footprints. As he walks around the pool, he hears someone splashing in the water at that very moment. He thinks all he has to do is wait, and they will surface soon enough. He picks up a brush and walks around the pool, takes a bad step, falls, hits his head and rolls into the pool. In the next scene we find Heep laying on his own couch, and a nude young woman is sitting across from him. There is water on the floor. He asks if she brought him here, but she only nods that she did. He gives her a shirt to wear. She clings to him, saying that she is too scared to go outside. So there he sits, with a young woman in his lap clinging to him who then falls asleep. He is clearly uncomfortable and tries to wake her. He decides he should take her outside for some fresh air, and then he will walk her home. Once outside, however, he is confronted with a growling creature which sends them both screaming back into his house. Heep needs to know who she is and what the creature is. We learn that her name is Story and that there is a creature hunting her. She is somehow prohibited from telling him who she is or what is happening, but she does tell him that she is a Narf. Heep begins asking his tenants if they have ever heard of a character called a Narf. Upon asking a young Asian student named Young-Soon Choi (Cindy Cheung), she says she has heard of a Narf as part of a bedtime story that was told long ago to her mother, but she doesn't remember much about the story. Heep continues doing his repairs, and we are introduced to many of the tenants. Between tasks, Heep tries to catch Young-Soon when she is with her grandmother, so he can ask more questions about the story. Though she has no idea why he is asking all these questions, she is happy to do what she can for this oddly curious man. Her grandmother, however, is suspicious as to why a grown man is so interested in a bedtime story. Frustrated at only getting bits and pieces of the story here and there, he arranges to be invited into the apartment of Young-Soon and her grandmother. Young-Soon tells him to try and act more like a curious child than a man, and it will help to bring out the grandmother's softer side so she will tell him more about the story of Story. After wiggling, eating cookies and dribbling milk down his face, the grandmother is amused and tells him the story. Meanwhile, Story is walking through his apartment, marveling at various objects. She notices a different-looking book and takes it down and reads it. The book is actually a journal, one that Heep wrote following the tragic loss of his family. When Heep discovers her reading the book, he asks her not to tell anyone of his past; no one there knows the story or that he used to be a doctor. He also needs to check with Story that what he has learned so far is accurate. Though Story cannot actually say, she makes a sign when he makes a correct statement. It seems Story is a Narf, here to motivate a great writer to complete his work that will have a tremendous positive effect on the future, at which point a giant eagle will come and take her home. But there is a creature called a Scrunt who will try to kill her before she can complete her task. There are many people who live in the apartment comple, besides the writer, who will unknowingly play different parts in helping Story. Heep believes himself to be her "guardian", the one who can protect her from the Scrunt. In a scene that starts out suspenseful but becomes rather light, Heep tries to face down and battle the Scrunt, being coached by Story via walkie talkie, but it soon becomes apparent that he is not the guardian when the Scrunt attacks him. The attack is interrupted by an arrogant movie critic just in the nick of time. But now Heep has an idea of what he needs to help Story get home. He must cast the roles needed to complete the task from the diverse people that live in the apartment complex. It is such a complex undertaking that he decides to consult the latest addition to the complex, the arrogant movie critic, to help him root out some of the characters described to him. Heep finally concocts a plan, but it is misguided. When it fails, the Scrunt seizes hold of Story and tries to drag her away, but Heep manages to grab hold of her. It is now apparent they have the wrong people for the roles, and they need to rethink them fast. The pivotal character to find is the "symbolist", who can "read" the situation, giving a much better description of the characters needed and what they all must do. At last, most of the correct people are found, all but the guardian. They all encircle her hoping to protect her long enough for the eagle to arrive. But the Scrunt is patient and wily and finds a way to get close to her unseen. Finally, the guardian appears and stares the Scrunt down. We hear the eagle and Heep says goodbye to Story. He realizes she has saved him from hiding himself away, and then she is gone.

The principal seven divisions are each populated by a single adult slave at Manderlay, who congregate daily and converse on a "parade ground," with Roman numerals of the numbers 1 through 7 designating where each slave stands. "Mam's Law" contains further provisions against the use of cash by slaves, or the felling of trees on the property for timber. All of this information disgusts Grace and inspires her to take charge of the plantation in order to punish the slave owners and prepare the slaves for life as free individuals. In order to guarantee that the former slaves will not continue to be exploited, no longer as slaves but instead as sharecroppers, Grace orders Joseph to draw up contracts for all Manderlay's inhabitants, institutionalizing a form of cooperative living in which the white family works as slaves and the blacks collectively own the plantation and its crops. Throughout this process, Grace lectures all those present about the notions of freedom and democracy, using rhetoric entirely in keeping with the ideology of racial equality which most contemporary Americans had yet to embrace. She is challenged by Timothy, who will turn out to be a trickster and she begins to get sexual fantasies, making him a fetish, as it is suggested that she is sexually starved and hasn't been intimate. With these distractions, as the film progresses, Grace fails to embed these principles in Manderlay's community in a form she considers satisfactory. Furthermore, her suggestions for improving the conditions of the community backfire on several occasions, such as using the surrounding trees for timber, which leaves the crops vulnerable to dust storms. After a year of such tribulations, the community harvests its cotton and successfully sells it, marking the high point of Grace's involvement. After her gangsters leave and thus her armed protection, Timothy forcefully grabs her as she seeks to bring him dinner. Grace is now in a submissive position, instead of a leader, and her progressive ideals fall around her ankles, as she is stripped by Timothy. Subsequently, she painfully has sex with him, as he puts the handkerchief over her face and aggressive penetrates her in a fashion of used trash, an object, suggesting that he unleashes his anger and frustrations that he has for her, using her sexual fantasies against her. She screams in pain and ecstasy, but while sleeping, Wilhelm report that some has stolen and gambled away all of the cotton profits. The conversation is suggestive that others heard her being sexually conquered by Timothy, and she feels her shame at the joke she made to the gangsters as they left, and now not being able to awaken Timothy, as he is drunk. It is revealed that Timothy is actually the one who has stolen and gambled their earnings, and Grace finds out the whole truth, that he lied to her and tricked her into bed, pretending to be a noble African, but was just a womanizing gambler and a drinker. Finally admitting her failure, Grace contacts her father and attempts to leave the plantation only to be stopped by the plantation's blacks. At this point it is revealed that "Mam's Law" was not conceived and enforced by Mam or any of the other whites, but instead by Wilhelm, the community's eldest member, as a means of maintaining the status quo after the abolition of slavery, protecting the blacks from a hostile outside world. The people of Manderlay then tell Grace to punish Timothy for what he did by whipping him. She obliges, to release her hurt at giving her body over to him to have him use her painfully and ultimately having tricked her into bed as if she were just another whore, and she whips him with all of her might as a result. Grace then finds a letter from her father, explaining that he came to get her while she was whipping Timothy. He assumed that this was what she meant by claiming that Manderlay had come upon new times and that she had accepted them as slaves. Grace then runs away to another unrevealed place. As in many von Trier films, the idealistic main character becomes frustrated by the reality he or she encounters.