Paoli Dam

Lawho Gouranger Naam Rey intertwines three timelines from Mahaprabhu`s divine era to colonial theatre and a modern film set. A soulful exploration of faith, love, and the eternal mystery of the saint`s disappearance.

Set in the troubled Naxalite period of Bengal, 1971, Byomkesh Bakshi gets involved in a story of revenge when he decides to attend a play at the theatre and becomes witness to a crime unfolding on the center stage.

Love Aaj Kal Porshu tells the tale of two people whose love is a force that can never be changed, no matter how much its surroundings may change. A unique take on the timelessness of romance, the film`s many twists and turns will keep you hooked.

Life hasn`t been very kind to Shantilal, who is in his late thirties, unmarried and stuck in a thankless job as a weather reporter. On the other hand, Nandita is a popular movie star who has it all, and plans to venture into politics next. When the worlds of these two people collide on a fateful day, it sets off a chain of incidents that take Shantilal on an adventurous rollercoaster ride from Kolkata to Chennai and Singapore. And at the end of it all, the unassuming reporter may just rediscover himself - as a sharp detective!

A romantic drama, Ahare Mon is a heartwarming collage of inter-connected love stories, revolving around people who are otherwise forbidden to fall in love. The movie features four different and parallel love stories; two members of an old age home fall in love and elope to embark on an adventure of a lifetime, two hustlers pull off con jobs one after the other, an immigration officer crossing paths with a ravishing flyer more than often, and a young girl fights a terminal disease but is hopelessly in love with a movie star.

ìMandobasar Galpoî is a Romantic Musical ñ Thriller where the main protagonist Ahana Sen (played by Paoli Dam) is a cerebral film maker of national reputes but is a loner in reality after losing her fiancÈ Ritwick Basu (played by Kaushik Sen) few days before their wedding. Ritwik's sudden demise, left Ahana deserted, lonely and totally dejected with all the positive facets of life. Dr. Sayantan Chowdhury, a renowned psychiatrist (played by Parambrata Chatterjee) treated her, helped her come out of the melancholia and had been instrumental in making Ahana a successful film maker. But all the feature films, directed by Ahana depicted the darker shades of human nature and essentially always resulted in a climax, which always felt her audiences sad & gloomy. In short, her personal crisis was gradually making a vast impact in her creativity. Things changed drastically, when Ahana met Rick Ray, (played by Indrasish Roy), a budding musician in an audition and she gave him the lead character in her new movie. Ahana's behaviour started undergoing a gradual change for better with ongoing time. She also started getting attracted to Rick. Why? None knew about that. Ahana also started feeling jealous of Oidrilla (played by Ritu Rai), the heroine of her movie due to her excessive interest towards Rick. This triangular relationship started effecting the film adversely. The Producer of the movie Anurag Bhattacharya and the PR personnel Mallika couldn't handle the situation as Ahana seemed very stubborn and adamant in all her decisions. Why? None knew about that. Sreeparna (played by Dipanwita), the chief assistant director of Ahana and her journalist boyfriend Abhirup Dutta (played by Anindya Chatterjee) also started to take keen interest in this uncanny love story between Ahana & Rick, as there was something unusual about it. This is when the plot unfolds. The story is about the various facets of human emotion and how the characters deal with them.

The film is based on the life of a legendary Bengali theatre actress both on and off stage.

Every happy Family Album is picture-perfect with smiley pics of the caring Ma, successful Baba, the responsible older sister, and of course the highly brilliant soon-to-be-going to IIT younger brother. What if you clicked on a hidden link that exposes everyone`s crazy secrets and lies? What if your sister, soon-to-be-married, has a girl friend who is not just a friend? What if your aimless brother just wants to chill out, get high and not really want to do much with life? What if your loving nagging Ma is worrying about losing her youth as a woman? What if your responsible father has his own bag of skeletons in his closet? Why hide? Why pretend? This is a movie that exposes the not-so picture-perfect Family Album... a hilarious and sad and eccentric concoction of the truth.

Journey of a female theatre artist is always a multi-dimensional conflicting experience as a girl, as a woman and even as an artist. It is more so especially when a woman is of maverick capability and excellence beyond her time. Whilst the film depicts the scenario of Kolkata socio-cultural circuit spanning from 1950 to 1970s, it aspires to bring about the struggles and conflicts that a female artist has to go through even after two decades of globalization. The film, through an investigation of sudden demise of an extremely reputed actress' death delves into an ongoing search behind the causes of ceaseless conflicts that a female artist has to confront, and is made to remain submissive in the paradigm of male domination. The film intends to get into precise details of the artist's life so as to expose the obstructions, understand the strength of creative aspirations, and to ablaze with the delightful journey of the artistic soul that unfortunately got cut short. However, this film is envisaged to be in coherence with the belief in the unending journey of the artist who still remains alive with the lively river and the living art.

A tormented soul walked the earth that was neither man nor god. Hercules was the powerful son of the god king Zeus, for this he received nothing but suffering his entire life. After twelve arduous labors and the loss of his family, this dark, world-weary soul turned his back on the gods finding his only solace in bloody battle. Over the years he warmed to the company of six similar souls, their only bond being their love of fighting and presence of death. These men and women never question where they go to fight or why or whom, just how much they will be paid. Now the King of Thrace has hired these mercenaries to train his men to become the greatest army of all time. It is time for this bunch of lost souls to finally have their eyes opened to how far they have fallen when they must train an army to become as ruthless and blood thirsty as their reputation has become.

The story is about a haunted house which is being pulled down and being replaced with a swanky shopping mall. Apparently, the ghosts who belong to different era consider this as their home so what happens later on shapes the rest of the story. It is a remake of Bengali film Bhooter Bhabishyat.

The story of the film revolves around a cursed nighty - the original owner of the nighty had experienced unfulfilled love, which ultimately led to a curse on it. A wannabe actress comes to Kolkata from a village in pursue of her career. She is willing to cross all limits in order to become successful. She uses the nighty for seducing producers and has no regrets. The events that take place later form the climax of the story.

A group of young intellectuals and revolutionaries led by the brilliant young Indranath, a villainous party leader are fighting for independence from the colonial system. Ela, the group`s emancipated muse, feminist and teacher revolted first against her mothers orthodoxy, then against her aunt and finally against the larger politics, where she does not hesitate to deploy her physicality. The poet Attindra, Ela`s romantic love, who, like her doubts the cruelty of revolutionary acts sanctioned by Indranath`s ideals.

Directed by the award winning Bengali playwright-actor-director-producer Bratya Basu, Tara features Paoli Dam, Prosenjit Chatterjee and Tota Roychowdhury in lead roles.