Saayoni Ghosh

Ke Tumi Nandini is the journey of a young, spirited girl Nandini (Rupsha), who is of tom-boyish nature and aspires to be a medical student. She develops a liking for a man named Abir ( Bonny) much older than her and a fitness trainer and social worker . Over the course of the rest of the film, Nandini constantly tries to attract the attention of Abir in different ways possible but he seems to be not interested in her. Will Nandini be able to make Abir fall in love with her? Will her love story have a happy ending?

Based on a real-life incident, Cockpit follows the story of a flight going from Mumbai to Calcutta, which gets hit due to bad turbulent weather on air. The challenges that the pilot faces in order to land the airplane, after the engines were damaged, forms the crux of the film.

This film revolves around the era of 1947 and explores the consequences of partition of India. Delving into the grim history of the partition, Mukherjee`s movie Rajkahini is weaved around a border between the two nations that runs through a brothel housing eleven women.

Subhasri and Jishu are in love with each other but there is a crisis. Subhasri`s two elder brothers are very protective of her. Jishu makes a plan to win them over by joining them as their assistant. Jishu gets into the good books of both but not enough to ask Subhshri`s hand in marriage. So, Jishu and Subhashri decide to elope. The plan is that Subhasri will wait in the market in a burqa for Jishu, who will make excuses to her brothers to come pick her up. On the d-day, Jishu hastily bundles a burqa clad woman into a taxi, who, to his dismay, turns out to be another girl, Nusrat, who is the sister of the two most infamous dons of the city. Jishu realizes he is in trouble as he has eloped with the wrong girl. What follows next is a comedy of errors set to a chase sequence. Will Jishu be able to get the love of his life? Will the two brothers agree to wed their only sister to Jishu? Will the Dons spare Jishu for kidnapping their sister?

Journey of a female theatre artist is always a multi-dimensional conflicting experience as a girl, as a woman and even as an artist. It is more so especially when a woman is of maverick capability and excellence beyond her time. Whilst the film depicts the scenario of Kolkata socio-cultural circuit spanning from 1950 to 1970s, it aspires to bring about the struggles and conflicts that a female artist has to go through even after two decades of globalization. The film, through an investigation of sudden demise of an extremely reputed actress' death delves into an ongoing search behind the causes of ceaseless conflicts that a female artist has to confront, and is made to remain submissive in the paradigm of male domination. The film intends to get into precise details of the artist's life so as to expose the obstructions, understand the strength of creative aspirations, and to ablaze with the delightful journey of the artistic soul that unfortunately got cut short. However, this film is envisaged to be in coherence with the belief in the unending journey of the artist who still remains alive with the lively river and the living art.

The film`s title signifies the beginning of the end, in life and in relationships.

Kanamachhi stars Ankush, Abir Chatterjee, Srabanti and Sananda in leading roles. Srabanti & Ankush are journalists working for a leading newspaper. Ankush plays a photo journalist who does an investigative story that disappoints the political mafia ruling the state. Due to this both face various problems and how the duo emerge triumphant by successfully overcoming the opposition they face forms the film`s story.

The story of revolves around sub-inspector Dibakar Singh, who settles every dispute in his town with wisdom and logic. He is compelled to use force when an extortionist with mafia links - Arjun Sarkar confronts him.