Shankar Chakraborty

Ke Tumi Nandini is the journey of a young, spirited girl Nandini (Rupsha), who is of tom-boyish nature and aspires to be a medical student. She develops a liking for a man named Abir ( Bonny) much older than her and a fitness trainer and social worker . Over the course of the rest of the film, Nandini constantly tries to attract the attention of Abir in different ways possible but he seems to be not interested in her. Will Nandini be able to make Abir fall in love with her? Will her love story have a happy ending?

Joy, an engineering student, who has failed twice in a class, falls in love with Jonaki, a girl who is studying MBA in the same college. All goes well for him until he discovers that Jonaki is the daughter of the same professor, who wants him out of college. What happens next, forms the crux.

Arshinagar is an imaginary neighborhood, which is terrorized by two rival gangs belonging to the Khans & the Mitras. Both families are in the real estate business and are sworn enemies. Both have their eyes on Arshinagar slum, which they dream of developing into luxury apartments or shopping malls. To this end, both Mitra and Khan consult a corrupt politician called Deendayal who accepts bribes from both parties and promises both that he will have the slum evacuated. While the Khan and Mitra goons continue to engage in violent battles over acquiring the slum by fair means or foul, Bishwananath Mitra`s son Ronojoy and Sabir Khan`s daughter Zulekha happen to meet and fall in love at first sight. Aware of the consequences if their families come to know of their relationship, Rono and Julie conduct their love affair in secret.

A social satire that questions prevalent gender relations. However, the script does not stop at questioning patriarchy only it also raises sharp questions about matriarchy as an alternative. This double angle allows the script to challenge the imbalance in power distribution in personal, familial and social relationships the very basis of gender injustice per se. The film operates with a comic approach even to depict the most unpalatable forms of injustice meted out on the basis of gender imbalances. Cutting across situations in the world with deep concern in the Heavens about the prevalent conditions on earth, the script refers everything from Bengali intellectualism to wrong notions of the panacea for all ills lying in power changing hands in the form of patriarchy being replaced by matriarchy. It is only towards the end that the script subtly veers into a more serious mode that stresses the need for mutual understanding among couples and highlights the need for individual women to take charge of their own lives as a step towards a greater social change. The narrative is never linear. Represented in a script written by, an ambitious but failed filmmaker, Aniruddha, who is also depicted to be a rather uncaring husband and father. He is too wrapped up in himself to care for what his wife Swagata is going through, or his childs justified expectations from him. In his script an oscillation between the World and the Heavens takes place. Human beings and gods and goddesses from the Hindu pantheon appear together to depict an imagined reality that would get people to double with laughter only to be soberly reminded in the end that much of the fantasy is rather real in our surroundings. The script within the film zigzags between gender injustice in this World and the concern in the Heavens about that. Real life issues of dowry demands, son preference, chaste and devoted wives with drinking, torturing husbands are captured through Aniruddhas script. The Dutta family with one failed lawyer as the master of the house, his wife, a married son with two daughters and the younger son in a relationship with a woman his father does not approve of provides the locale for these. The concern at the Heavens on the increasing rate of violence against women, very much a reality in the world we live in, allows the satire to reach incredible heights of absurd comicality by upturning the entire scenario where the drunkard, torturing husbands take on the roles of their enduring wives; men get sexually harassed and women rivals engage in all-to-known action sequences over a man they both fancy. The heavens are modeled on a corporate media house, subtly reflecting the role media can play in challenging issues that matter. Aniruddha is made to question his own position and perspective through his own script and more importantly by his wife Swagata as she takes her first decisive steps for herself underlining the need for individual change to precede social change. At the end, the film goes back to Aniruddhas script and through a discourse in the Heaven, takes the argument another step forward, beyond the `gender-equality` platform and tries to explain the notion of social equilibrium in general.

A film directed by Agnidev Chatterjee,starring Rituparna Sengupta, Hrishita Bhatt and Rohit Roy is an engaging tale of two women with similar name. It is a story of love, lose and friendship.

Kanamachhi stars Ankush, Abir Chatterjee, Srabanti and Sananda in leading roles. Srabanti & Ankush are journalists working for a leading newspaper. Ankush plays a photo journalist who does an investigative story that disappoints the political mafia ruling the state. Due to this both face various problems and how the duo emerge triumphant by successfully overcoming the opposition they face forms the film`s story.

DCP Satya (Rajasekhar) is a cop who flares up instantly at the thought of people who are a threat to the rest of the world. His team, consisting of Siva Reddy, Sivaji, Sai Kiran and Neetu Chandra, is once sent to Vizag to bring back Dr. Iqbal Ansari (Atul Kulkarni), the prime accused in a blast case. On the way back, they run into Ranadev (Milind Soman), a highly dangerous villian. Satya and Ranadev share a gory background which involves Satya saving the CM`s life during a terrorist attack by Ranadev, Ranadev bribing his way out of jail, and then mowing down Satya`s wife and her family. Ranadev now tells Satya that he wants Ansari to be handed over to him. An ugly fight ensues, but Satya realizes that he is in deep trouble as some higher officials are plotting against him.

Two close friends turn into foes. In time, will their grandchildren be able to end this family feud?

With a 4000-Crore loss in the Finance Department, Minister Fatakesto vows to take Finance Ministry and recover the loss in 7 days.

A small time goon becomes a member of the legislative assembly; the story depicts a week in his life.

Nagraj (Deepankar Dey) sends John to steal a rare Diamond worth crores from the museum. Nagraj (Deepankar Dey) sends John to steal a rare Diamond worth crores from the museum. John betrays Nagraj and runs away with Diamond, but is killed by Ronnie, who leaves the Diamond with a taxi driver Yadav Das. Therefore Yadav is jailed in John's murder case. His daughter Madhuri (Koel Mullick) disguises herself as a boy to run the taxi to support her family. Now Manik and Chand turn up at Madhuri's house and claim to be her long lost uncles from Africa. Madhuri is in love with Rahul, a Nagraj's henchman. As the Diamond is the prime attraction, everyone wants its possession. In the climax, Manik and Chand rescue Rahul, Madhuri and Madhabi from Nagraj and the police arrest Nagraj. —Swarup Basak