Shankar Chakraborty

Life hasn`t been very kind to Shantilal, who is in his late thirties, unmarried and stuck in a thankless job as a weather reporter. On the other hand, Nandita is a popular movie star who has it all, and plans to venture into politics next. When the worlds of these two people collide on a fateful day, it sets off a chain of incidents that take Shantilal on an adventurous rollercoaster ride from Kolkata to Chennai and Singapore. And at the end of it all, the unassuming reporter may just rediscover himself - as a sharp detective!

Ke Tumi Nandini is the journey of a young, spirited girl Nandini (Rupsha), who is of tom-boyish nature and aspires to be a medical student. She develops a liking for a man named Abir ( Bonny) much older than her and a fitness trainer and social worker . Over the course of the rest of the film, Nandini constantly tries to attract the attention of Abir in different ways possible but he seems to be not interested in her. Will Nandini be able to make Abir fall in love with her? Will her love story have a happy ending?

Joy, an engineering student, who has failed twice in a class, falls in love with Jonaki, a girl who is studying MBA in the same college. All goes well for him until he discovers that Jonaki is the daughter of the same professor, who wants him out of college. What happens next, forms the crux.

A group of four friends including Ananta, Sujoy, Ananda and Rajasankar Dhol who are engaged in different professions share a close bond. Ananta, a fashion photographer lives in a rented house, which is owned by Khogen Mal; in a dramatic turn of events, all the friends are forced to live together at Ananta`s rented home. Their peaceful life is disrupted when Khogen catches them red-handed doing mischief with his third wife Tola Boudi and forces them to vacate.

This is a family entertainer love story with a twist. The title of the movie name is inspired from Rangbaaz movie`s blockbuster song Ki Kore Toke Bolbo sung by Arijit Singh. Celebrate love with a twist, this Valentine`s Day.

Arshinagar is an imaginary neighborhood, which is terrorized by two rival gangs belonging to the Khans & the Mitras. Both families are in the real estate business and are sworn enemies. Both have their eyes on Arshinagar slum, which they dream of developing into luxury apartments or shopping malls. To this end, both Mitra and Khan consult a corrupt politician called Deendayal who accepts bribes from both parties and promises both that he will have the slum evacuated. While the Khan and Mitra goons continue to engage in violent battles over acquiring the slum by fair means or foul, Bishwananath Mitra`s son Ronojoy and Sabir Khan`s daughter Zulekha happen to meet and fall in love at first sight. Aware of the consequences if their families come to know of their relationship, Rono and Julie conduct their love affair in secret.

The film is a comedy of errors, in which three guys land up in Bangkok amidst a lot of confusion over their marriage with three girls. They are forced to do insane things in order to woo their lady loves, which leads to many humorous situations.

Buno Haansh is the thrilling story of Amal - an ordinary guy from an ordinary family who gets tempted by the world of wealth and consumerism and leaves his safe and ordinary existence for a life on the wild side. A close friend introduces him to the underworld, and Amal quickly gets seduced and then trapped into a web of greed, lust and crime. Will he be able to escape? There is only one way to know. Wait till it hits the silver screen!

"GAME" is about Abhimanyu (JEET), an army man and a secret DIA agent, who returns to Kolkata on vacation. He has a loving family who wish to get him married to Trisha (Subhashree) a girl chosen by his parents. Along with his romantic escapades, he also has a greater task at hand as he has to eradicate sleeper cells that are out to bomb and terrorize Kolkata across 12 prominent localities. Abhimanyu manages to successfully spoil the plan of a serial bomb blasts with the help of his 11-army friends which alarms and shocks the kingpin. The remaining story revolves around how Abhimanyu takes on this terror network and emerges out of it.

A social satire that questions prevalent gender relations. However, the script does not stop at questioning patriarchy only it also raises sharp questions about matriarchy as an alternative. This double angle allows the script to challenge the imbalance in power distribution in personal, familial and social relationships the very basis of gender injustice per se. The film operates with a comic approach even to depict the most unpalatable forms of injustice meted out on the basis of gender imbalances. Cutting across situations in the world with deep concern in the Heavens about the prevalent conditions on earth, the script refers everything from Bengali intellectualism to wrong notions of the panacea for all ills lying in power changing hands in the form of patriarchy being replaced by matriarchy. It is only towards the end that the script subtly veers into a more serious mode that stresses the need for mutual understanding among couples and highlights the need for individual women to take charge of their own lives as a step towards a greater social change. The narrative is never linear. Represented in a script written by, an ambitious but failed filmmaker, Aniruddha, who is also depicted to be a rather uncaring husband and father. He is too wrapped up in himself to care for what his wife Swagata is going through, or his childs justified expectations from him. In his script an oscillation between the World and the Heavens takes place. Human beings and gods and goddesses from the Hindu pantheon appear together to depict an imagined reality that would get people to double with laughter only to be soberly reminded in the end that much of the fantasy is rather real in our surroundings. The script within the film zigzags between gender injustice in this World and the concern in the Heavens about that. Real life issues of dowry demands, son preference, chaste and devoted wives with drinking, torturing husbands are captured through Aniruddhas script. The Dutta family with one failed lawyer as the master of the house, his wife, a married son with two daughters and the younger son in a relationship with a woman his father does not approve of provides the locale for these. The concern at the Heavens on the increasing rate of violence against women, very much a reality in the world we live in, allows the satire to reach incredible heights of absurd comicality by upturning the entire scenario where the drunkard, torturing husbands take on the roles of their enduring wives; men get sexually harassed and women rivals engage in all-to-known action sequences over a man they both fancy. The heavens are modeled on a corporate media house, subtly reflecting the role media can play in challenging issues that matter. Aniruddha is made to question his own position and perspective through his own script and more importantly by his wife Swagata as she takes her first decisive steps for herself underlining the need for individual change to precede social change. At the end, the film goes back to Aniruddhas script and through a discourse in the Heaven, takes the argument another step forward, beyond the `gender-equality` platform and tries to explain the notion of social equilibrium in general.

Kanamachhi stars Ankush, Abir Chatterjee, Srabanti and Sananda in leading roles. Srabanti & Ankush are journalists working for a leading newspaper. Ankush plays a photo journalist who does an investigative story that disappoints the political mafia ruling the state. Due to this both face various problems and how the duo emerge triumphant by successfully overcoming the opposition they face forms the film`s story.

Dutta vs Dutta is a hilarious, dramatic and passionate film about people and a time that once was very real.About a period in Kolkata`s history, the film is a coming of age film about a crazy father and equally crazy son. Dutta vs Dutta celebrates the 70s, the idiosyncratic Bengali who was once rich, westernized, permissive, lusty, rebellious, ahead of time and dreamers.

Bimal decides to contribute financially to his old school despite not having much money himself. He uses his fiancee Meera's savings, which creates a rift between them. "Janala" tells the story of Bimal, who decides to give a little back to his old school despite having very little money. As a child Bimal had a favourite corner classroom where he used to sit and daydream out of a broken window, and so when he finds himself back in his old school he feels compelled to replace the window. He uses his fiancee Meera's savings--money she put aside for their expected child--without telling her. Unexpectedly, when he presents the window to the authorities it is rejected, and matters get worse when Meera seems to lose trust in Bimal. —DDA PR

Two close friends turn into foes. In time, will their grandchildren be able to end this family feud?

With a 4000-Crore loss in the Finance Department, Minister Fatakesto vows to take Finance Ministry and recover the loss in 7 days.

A small time goon becomes a member of the legislative assembly; the story depicts a week in his life.

The story revolves around Kaushik (Prasenjit Chatterjee) and Kaberi (Konkona Sen Sharma), a happy couple until a car accident takes away Mita, Kaushiks mistress and leaves Kaushik heavily injured. Mita, a mother of a little boy and living with her husband, was Kaushiks colleague. The revelation leaves Kaberi shattered and she retorts. Kaushik successfully moves on with life leaving Mita behind and tries his best to repair the severely wounded relation with his wife. There is another couple in the film- Brinda (Pallavi Chatterjee) and Bobby (Parambrata Chatterjee), engaged in another extramarital relation. While Bobby is a bachelor, Brinda, quite older than Bobby, is unhappily married. They and Kaberi do group theatre together. Brinda-Bobby comes to a crossroad when Brinda becomes pregnant and Bobby is not sure whether the child is his or Brindas husbands. However he does not turn back and stands by Brinda in sorting out her issues. Kaberi often threatens divorce but ultimately is overpowered by the wife in her and cannot desist fulfilling her duties towards her husband at the time of crisis.On the other hand, Kaushik too is caught in his own predicament. The physical and mental trauma caused by the accident are portrayed with great skill and subtlety by Prosenjit. He has to not only come to terms with the loss of a loved one but is faced with the daunting task of winning back his wife's trust.

Nagraj (Deepankar Dey) sends John to steal a rare Diamond worth crores from the museum. Nagraj (Deepankar Dey) sends John to steal a rare Diamond worth crores from the museum. John betrays Nagraj and runs away with Diamond, but is killed by Ronnie, who leaves the Diamond with a taxi driver Yadav Das. Therefore Yadav is jailed in John's murder case. His daughter Madhuri (Koel Mullick) disguises herself as a boy to run the taxi to support her family. Now Manik and Chand turn up at Madhuri's house and claim to be her long lost uncles from Africa. Madhuri is in love with Rahul, a Nagraj's henchman. As the Diamond is the prime attraction, everyone wants its possession. In the climax, Manik and Chand rescue Rahul, Madhuri and Madhabi from Nagraj and the police arrest Nagraj. —Swarup Basak

When a widower is about to marry his new lover, a woman claiming to be his first wife, Kalpana, stops his wedding. Soon, the matter is taken to the court where only Kalpana`s brother can identify her.